He wakes up handcuffed to a gurney in the Northmoor facility, but manages to escape. Craven realizes that Bill set him up before the agents taser and kidnap Craven, taking him away in an ambulance. His fellow detective and friend, Bill, comes to Craven's home while the Northmoor agents break into the house. After examining Emma's fridge with a Geiger counter, Craven discovers that her milk is radioactive. Senator Jim Pine who was contacted earlier by Emma, revealing that Craven knows almost everything that happened. Craven eventually discovers through one of Emma's activist friends, who is nearly killed by a Northmoor agent, that Bennett ordered Emma's murder, as well as those of the other activists Emma was working with to expose Northmoor.Ĭraven confronts U.S. Craven repeatedly has visions of Emma's past, including short conversations, typically as the happy young child he remembers and loves. Jedburgh takes a liking to Craven, leaving him to investigate. Jedburgh was tasked with preventing the disclosure of the information Emma had and tying up any loose ends, including her father. The weapons were intended to be linked with foreign nations if they were used by the US as dirty bombs.īurning Emma's clothing in his backyard, Craven suddenly draws his weapon and turns to find Jedburgh, a British "consultant", casually sitting in his backyard. government and headed by Jack Bennett, was secretly manufacturing nuclear weapons using foreign material. Emma had discovered that Northmoor, a research and development facility under contract to the U.S. David will not say more, but Craven incidentally discovers that the lock of Emma's hair is radioactive. David is living in fear of Northmoor, the company where he and Emma worked. He checks the gun's ownership and finds out that it belongs to her boyfriend, David. 45 pistol in her night stand, he starts to suspect that Emma was the target. As they step outside the house, a masked gunman yells "Craven!" and fatally wounds Emma with a shotgun blast and escapes as Craven attends to his daughter, who dies in his arms.Īt the medical examiner's office, Craven takes a lock of Emma's hair as a memento, then returns to duty to help find out who wanted to kill him. Thomas realizes he needs to take his daughter to the hospital. As Craven prepares dinner at home, Emma suffers a nosebleed and vomits again. It received mixed reviews from critics, though Gibson's and Winstone's performances were praised, and grossed $81 million against its $80 million production budget.Īt South Station, Boston, homicide detective Thomas Craven picks up his daughter Emma, who comes home to visit and vomits while getting into the car. The film was released on 29 January 2010. This was Gibson's first screen lead since Signs (2002), and follows a detective investigating the murder of his activist daughter, while uncovering political conspiracies and cover-ups in the process. A British-American co-production, it is based on the 1985 BBC television series of the same name, which was likewise directed by Campbell. It is an example of the art form at its most effective, making us part of the story and carrying us into its emotion.Edge of Darkness is a 2010 conspiracy action thriller film directed by Martin Campbell, written by William Monahan and Andrew Bovell, and starring Mel Gibson and Ray Winstone. If you are jaded with current shows, go back and watch it and see the possibilities. Edge of darkness has so many things going for it, it's hard to know where to start - honest, egdy performances, crisp writing and dialogue, layers of intrigue, the eerie and beautiful soundtrack of Michael Kamen and Eric Clapton - (sigh) - its smart, scary and challenging. We experience the absolute depths of his personal horror at the loss of his child in curious circumstances and as he delves deeper, we are drawn into his pain and shock at the secret life of his child. If a key to a story is to have sympathy and empathy for its characters, Bob Peck's portrayal of the descent into despair and insanity of Inspector Ronald Craven is a powerhouse. It's length (as a miniseries) probably presaged the future of high quality per hour viewing that has become a staple output of English 'Crime/Thriller' miniseries(nobody does crime better) or perhaps the Sopranos - however -all comparisons aside, the sheer power of the story is remarkable. Some other reviewers have commented that Edge of Darkness represents the true potential of television as a dramatic medium. It remains one of the most powerful, heart and gut wrenching thrillers of all time. I am unsurprised to find this miniseries rated 9.2.
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