![]() ![]() And being as detailed as possible within those scenes is another. ![]() So creating new locations as new scenes is one way to think ahead. They have to be pre-planned and scheduled. You know these are all elements of a scene that cost time and money. Which characters are in that scene? What props? Maybe you’ve even made wardrobe decisions? But all of those details on the page are what? Hopefully, you’re taking creative liberties and giving a ton of interesting details. Think about it this in terms of what you put on the page. Tip: as soon as you realize there is more than one location within a single montage - alarm bells should be going off.Įach new location is a new scene. And each scene requires planning. It could make or break whether or not it gets scheduled and shot.Īnd you don’t even need to know anything about how to schedule a montage to pull this off. When a montage takes place in many locations, writing with the production in mind is crucial. And so, formatting is critical.įORMATTING MONTAGE SEQUENCE 3. We will need to know how to format for these changes to bring the most clarity to our producer.Īgain, we want him or her to want to shoot the montage, the way we write it. How can you do this creatively and with clarity for the reader?īecause of the nature of the montage – its quick and deliberate shots - it is common to see location changes. Not to mention, keep your vision and integrity intact.īe clear with where the starting point is. But adding enough information on cast, locations, and props, will make shooting and scheduling the montage that much easier. We will also add descriptions to the scene. In StudioBinderʼs Screenwriting Software, we will learn how to detail each new location as a separate scene heading. Formatting your montage scenes with great detail leaves little to no room for interpretation. So if you want to preserve your vision, focus on the formatting. If a producer doesn't have enough clarity, they might choose to cut the montage completely. The more details you write down now, the fewer changes they make later.If we don’t give enough details to the producer, your original montage might get lost in translation. It depends how badly you want to see your montage on screen. The role of producer or first assistant director is to bring those worlds to screen.īut what if you took on that responsibility? What if you chose to format your montage with the production in mind right from the beginning? And the next montage you write easily translates to screen before the producer or first AD does anything at all. How much detail do I use? Where do I put scene headers? Am I supposed to write down when a montage starts.and ends? Or will the reader be able to tell?Īs a writer, the scope of your role is to engage an audience with your spellbinding worlds and captivating characters.on the page. You’ve never written one before, or maybe you’re just unclear about the best way to present it on the page. So, you’re about to start writing your montage. Now that we got that out of the way, let's jump in. ![]()
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